Still Life
Pears
Oil on Paper. 1984. This is one of my favorite pieces. I have always enjoyed the loose freedom of expression and have many times tried to recreate that feeling, without the success.
![Five Pears-2018 1200 ppl.jpg](https://static.spacecrafted.com/ada8de1b427f49fb8d5e44d9559d92e9/i/d91160a192a64065a8787578a6c83430/1/GCuCv726gZycFxatknDdac/Five%20Pears-2018%201200%20ppl.jpg)
Five Pears
Pastel on Arches Paper. 2018. In this composition, I wanted to give the pears a more monumental presence by using a point of view similar to a much larger landscape.
![Harmony in Red-2018 1200 ppl.jpg](https://static.spacecrafted.com/ada8de1b427f49fb8d5e44d9559d92e9/i/c0c10746479f463ebb4b74222d63fdf4/1/GCuCv726gZycFxatknDdac/Harmony%20in%20Red-2018%201200%20ppl.jpg)
Harmony in Red
Pastel on sanded paper. 2018. This was made in reference to my favorite Matisse painting by the same name.
![four pears sketch no 1-2018 1200 ppl.jpg](https://static.spacecrafted.com/ada8de1b427f49fb8d5e44d9559d92e9/i/ddb29f0bbdae4893960196b9f08ed47e/1/GCuCv726gZycFxatR9d99n/four%20pears%20sketch%20no%201-2018%201200%20ppl.jpg)
![four pears sketch no 2-2018 1200 ppl.jpg](https://static.spacecrafted.com/ada8de1b427f49fb8d5e44d9559d92e9/i/d9eb079627034e639017ebaded917667/1/GCuCv726gZycFxatR9d99n/four%20pears%20sketch%20no%202-2018%201200%20ppl.jpg)
![four pears sketch no 3-2018 1200 ppl.jpg](https://static.spacecrafted.com/ada8de1b427f49fb8d5e44d9559d92e9/i/b7c5be111a7943088e79b69cc95bde1d/1/GCuCv726gZycFxatR9d99n/four%20pears%20sketch%20no%203-2018%201200%20ppl.jpg)
![four pears-2018_1200 ppl.jpg](https://static.spacecrafted.com/ada8de1b427f49fb8d5e44d9559d92e9/i/e15d3f914f704b58b9f008c31c0b95ab/1/GCuCv726gZycFxatR9d99n/four%20pears-2018_1200%20ppl.jpg)
Four Pears
Pastel on various papers. 2018. This was a series reflecting the original Four Pears painting and combining it with a very stylized background of William Morris's wallpaper "Willow Boughs".
![zinnias no 1_2019_1200 ppl.jpg](https://static.spacecrafted.com/ada8de1b427f49fb8d5e44d9559d92e9/i/ba2596b635cb44d7bb4fd1f967893e2e/1/GCuCv726gZycFxatR9d99n/zinnias%20no%201_2019_1200%20ppl.jpg)
![zinnias no 2-2019 1200 ppl.jpg](https://static.spacecrafted.com/ada8de1b427f49fb8d5e44d9559d92e9/i/cce66da9c8e0447b986875ac565355e0/1/GCuCv726gZycFxatR9d99n/zinnias%20no%202-2019%201200%20ppl.jpg)
![zinnias no 1a_2019_1200 ppl.jpg](https://static.spacecrafted.com/ada8de1b427f49fb8d5e44d9559d92e9/i/c64a5d6b93464c33bea62d89ab61f0eb/1/GCuCv726gZycFxatR9d99n/zinnias%20no%201a_2019_1200%20ppl.jpg)
![Zinnias no 2_19_1200 ppl.jpg](https://static.spacecrafted.com/ada8de1b427f49fb8d5e44d9559d92e9/i/ae4ed20cc2534973b44ff7e4d5b3fb99/1/GCuCv726gZycFxatR9d99n/Zinnias%20no%202_19_1200%20ppl.jpg)
Zinnias
All are Pastel on Arches Paper. 30" x 22". 2019.
![Charcoal Seashell 22x30 11-15-2018_1200 PPL.jpg](https://static.spacecrafted.com/ada8de1b427f49fb8d5e44d9559d92e9/i/ddae14a1e5214282ba6d7b3161c77538/1/GCuCv726gZycFxatknDdac/Charcoal%20Seashell%2022x30%2011-15-2018_1200%20PPL.jpg)
Sea Shell
Charcoal on Arches Paper. 22" x 30". 2018.
![peonies 1988 1200 ppl.jpg](https://static.spacecrafted.com/ada8de1b427f49fb8d5e44d9559d92e9/i/f4c90b1b7ba84bc282a6eec3172f991f/1/GCuCv726gZycFxatknDdac/peonies%201988%201200%20ppl.jpg)
Peonies
Acrylic on canvas. 30" x 40". 1989. This was actually a plein air painting done in the small garden behind our apartment in Philadelphia.
![poinsettias 1986 1200 ppl.jpg](https://static.spacecrafted.com/ada8de1b427f49fb8d5e44d9559d92e9/i/c5af65b3ccd54fe9976ca86d55c86295/1/GCuCv726gZycFxatknDdac/poinsettias%201986%201200%20ppl.jpg)
Poinsettias
Nupastel on Rieves BFK paper. 1986. 30" x 42". Sometimes the better control and technique that I have developed, loses something that was once more loose and expressive. “Something is lost, but something is gained.” (Joni Mitchell)
![pears 1984 1200 ppl.jpg](https://static.spacecrafted.com/ada8de1b427f49fb8d5e44d9559d92e9/i/e3a4f72d6f674b8da8a5ba66d54b03e5/1/GCuCv726gZycFxatknDdac/pears%201984%201200%20ppl.jpg)
Pears
Oil on Canvas. 48" x 60”. For this painting, I wanted to incorporate a sense of indeterminacy. So I did a series of random arrangements of pears and chose one for the final composition. This painting is displayed in a private collection and is one of my most successful pieces.